The poet Lia Purpura in Arts of Caution – Marginalian

“A tree that moves others to happily in the eyes of others only a green thing that was standing on the road,” said William Blake in his spiritistic book. “As a man, you see.”
Because we view the world the formation of the world we see, all acts of showing the action of the world. The Latin Root of announcement Starting to know, having a recognition tool, and it suffers from a person's predicament to see what we have already known, seeing what you expect to be seen, experiences and past experience. “Currently, you miss most of what happens next to you,” the scientist Alexandra Horowitz wrote about visual science. “To see the time, as if a friend took the time,” said Georgia O'Aephphi in the first century.
It is not easy to us, a demonstration of fact – that looking forward to seeing. We need to seek it every day. It is the responsibility of our life.
The best training I know I know is to spend time in nature, when I just tremble, to hurry, peace and deep peace and glorious ways. Secondly the best is a set of steering plurura By looking at (library) – An invitation to see the whole world by holding its details and the dialogue: church Dutch spaces, “Croshots' Civil Walks.
Pupura writes:
If you look … it is a practice, type of attention paid, that is, for many, the context of prayer, is the only thing that I have found in me a child. By seeing me to one another, and, things called me my eyes and brought each riches to me.
[…]
I have never thought to say, or call this “God,” that sounds to Shorthand, refusing to speak when it happens, shapes, daily gestures, and daily reure. “God,” and the same attitude – because the lives of the names are also pleased to me – they were pressured. Impatience. Knows. Jettison calls on this issue, the only story as I understood: an unknown life of life, being a unknown body from the well, but also a lot here.
Focusing on the care of observation to sanctify this here – How to bless our lives.

Purpura views accumulation:
The awareness that calls us open, allows something.
Practical shows.
Using us.
Right now.
By this moment.
Whatever we see, -k, becomes a penshole when everywhere all the world breach – but only when we open a valve afraid and understanding. A century after being a poet holds his or her alifferences to break how it appeared in Jellyfish, Supura wrote:
None, as many think, any air on the jellyfish, just organize cilia and metal muscles, the gelatinous massage for hydrostatic propulsion. These are the simplest cracks like milky bubbles glass – and you do not want to see internal dealings, red sensors, blood and poisonous foods, rotating … to see their beauty, seeing themWe should stop our fears. We should love to be fulfilled. Sorting. “Lelatinous,” and. The words “scull” and “Buoyancy” is easy. We have to stop “Mucus Web.” And be aware that their bioluminescence, the nighttime exhibition, is used to confuse your deer. You can look straight up to them. As if you were in the front room when night outside.

Then there is a nightpowerment, the smallest valley when the shapura has a “scan of the blood of the start of our blood, the Filiene, the Filivel-Etched, Fern Crystal.
Story shoes, timings, flesh – these are our place. We see mentally, but it's a body that makes you look. Realizing to guide the world's body, to change in mind language to, such as the koan, issue its stipulations. And as time is done, seeing things again, inevitable, recognizing time – “good years is exerted and contains a point.” When his neighbor's storm in the dark he took to his tyrants, the punpura sees:
What Is – It's it beside It is. Not just that this afternoon, clouds – clouds like the mountains I love while he is a child, but that one incident falls on the other side, time is working and rolling together. And I live in both places.
What is – that's what else is. For this reason I often panic about the simple, simple leaf leaf is moving like a crab doing, so that animal likes come up. And although I tell myself “falls; leaves dryWrite again to beat, not patrol. somewhere It comes in, like, dried shells, rich crabs this summer, a curved snowball in the sea before restoring them to the sea of the sea. Awning of Awning is windy – and flying wing. Mushrooms, encrypted and risened by the rain, making a Sydney Opera house. Right there, on the hill of the dam. Australia, few blocks from home.

These Möbius of Time Time Itself often feels very important, manifest – and yet they see the difference between the symbols and amens, living reminders, meaning they do not have the world. Pupura writes:
These multiplication / reproduction is not messages enjoy, to carry secrets, but the news when we are part of what is said. We are, by spelling, how to form the formation forms, where fluxs, brief, center. And there are too many institutions.
“The moment is not exactly the time atom but atom a permanent atom,” said Kierkegard at the age of Millenium at the beginning of her. AND IF MURIEL RUKYER, WHO WAS RIGHT ABOUT SO MOSE OF STORIES, “We are the makers of the Momement,” We are the makers of the Tell Ourselves About What Its Tells to Be Alive.
On the first day of death, the housing housing catalog while thinking of Schiller “oder to joy,” writes a Purpura:
I continue to go back to this green place. That's all, raw just,, above all, it is handling me. It is mature apples and small apples difficult. Lake crops with diminished skin, as they float, a cloud and wave. CURL of Lime Page. The new moss. Peridot, stolen on the floor. This simple, sad, green, dried out against the Cirrus sky … About everything green I make peace. The leaves are not enough, now, this Jeno, I make peace. In all green, visual areas I make a moment.

After a hundred Virginia Woolf to the art of the existence of those “time to be” making who he is, the Purpura touches another moment of one minute:
The end of the day is swollen as a breaker, holding itself in a cross and a green field. Keeps shorter than grass. The last one falls before they fall. Now in half the field above the field, the day is something that disappears – but there is, or existing – but the continued. Crest then is a webble, walking.
Jane Kenlon wrote: “Everything will shine / should fall, fun,” June Ketlon wrote one of my favorite poems. It is the fall we arrive here to monitor the bright light between the ever before and will never be there.



