“Being a musician is a guarantee of other people that wear and living rising will not let her be her killer,” Louise Bourgeois in her diary as a young man. “The poets (say that all the artists),” Finally James Baldwin are the only people who know the truth about us. The soldiers do not. The soldiers do not … and the truth about us, as I can, say, how we like, how, and how we suffer about their sum. The transmission of suffering is love – the transmission of the wear and tears and distribution of life, the fury that can attract it, and what we call ART. Anyone who makes that in the alchemy in the interns and then gives another way to – either in poetry or a paint or kind action – that's what I can call artist.
I don't know anyone who has expressed this transmission work rather than poetry and arevist Ocean Vuong.
Feeling Deeply New York Times Discussion – public re-calculating, HEGHT REQUIRED BY A BUDDHIST IN HIS FROMES: DESTRY RECEIVING JAMES BALLAGIN AND ANNIE DILLARD COMMUNE WILL WILL WILL WITH “ASSEMBLY TO GET Our self-esteem and why we are injured and why we hurt one another and why we hurt one another and why we hurt one another and why we hurt one another and why we hurt one another. You show:
I was in the country where anger, rage, and violence was a way of control, and it was a way of controlling the natural world of their lives. Most of them were injured … Because they were very close to me, I always had to look. And it understood me that I meant it to survive. So when I saw cruelty, I look closer, and I say: “Where does this?” And many times, from Cash and danger – you are very scared, and you should hit first … I'm very kind of compassion.
Interestingly: You see the door in front of you and you feel so much – you feel like the only way – but if you go back … it's almost a door to the camp. And he is like, “Oh, my goodness – I can come back, and I just know you to take one step on the side and circle, and the whole world is in me.”
[…]
Somehow, my work so far was still a slow attempt when he drove and deviated the next door.
A few years earlier, you speak in San Francisco amazingly City Arts & TalksVuong looked at anger and the piles of suffering – in their art, and in their work as a poet (with the most cool work) that is more experienced, where we see, where we understand; When we understand more – we personally – the little we suffer about; The little thing that is in need, the least we looted our world and our suffering and is where we can throw uselessness from nothing more than something more and the discovery. Kuhuong thinks:
When you hear sunlight in anger, drop things, scream (perhaps in your loved ones), you down (usually, physically, physically). And then, after a while, you have to get up. You should feed your dog, reply to emails, meet the student – in other words, you should go on to the care … to me, angry care is upgraded. It is a part of the same nature. And I'm interested in removing the border between the two, because we are told that they are both opposite of the mirror, but I think they are actually very close. Let each other know each other.
Because the language is a vision of thinking and feeling that molds the content, taking the language we bear is to provide for the world. Aliong thinks about the names of words:
The authors produce good work rates with rage and anger. But for me, that takes care I should give the sentence every tree – almost angry with me. It is difficult to inject when working with something you need your care. If each name is a citizen in this world, they rely on me to think clearly and restricted to them. And I would lose their trust in me, in a way, if I would approach it about so much to me.
Vuing's and excellent is where anger is unavailable or oppressed in our inner lives, must not be the last place of our world, but instead of opening – the handle at a sympathetic door:
If you can get up, you wouldn't feel angry. But in order to live in the American bones it should be irritated by what happens. And then, I feel anger. But I'm going to say … I'm not proud that you're not one sentence or one page I've written for my work. But I don't help – when I'm angry – when I am angry.
An important part of the artist and this – to find, and stand, that you are very useful in the world. This makes courageously in our culture, where Ottuse keepers (not trusting anyone trying to tell each other in the world's best offer.)
Higher Zen teachers and Peace Actidot Town Nhat Hanji's Picture Antidote of Ursula K. This is the best Guin in use and misuse of anger in the imperfect world.
